donnattartt

to whom shall I hire myself out? what beast should I adore? what holy image is attacked? what hearts shall I break? what lies shall I uphold?

Netflix’s insatiable is so relatable

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bellafleurs:

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kindofluxe:

++

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celestisymphonia-blog:

I love this piece so much it’s so exciting and the excerpt from Dies Irae is really satisfying to me

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richieistired:

Virginia Woolf , Sappho

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dearrot:

does anyone else imagine a scenario so vividly that you begin to make facial expressions or gestures to go with it??

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closeupofpaintings:

Eyes in Peter Paul Rubens’ portraits

Portrait of a Young Man, c. 1613-15

Self-portrait with big hat. c. 1628-1630

Self-portrait, 1623

Portrait of a Young Man in Armor, c. 1620

Portrait of Clara Serena Rubens, c. 1616

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crimsonkismet:

𝙽𝚘𝚟𝚎𝚖𝚋𝚎𝚛 𝟷𝟷, 𝟷𝟿𝟷𝟷
𝚃𝚑𝚎 𝙳𝚒𝚊𝚛𝚒𝚎𝚜 𝙾𝚏 𝙵𝚛𝚊𝚗𝚣 𝙺𝚊𝚏𝚔𝚊, 𝟷𝟿𝟷𝟶 -𝟷𝟿𝟷𝟹

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vegaschapters:

the goldfinch (2013+2019) / litany in which certain things are crossed out, richard siken

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voiceofnature:

“Deeper into the forest, deeper into the moonlight.”

Margaret Atwood, from Murder in the Dark: Stories & Prose Poems; “She,”
(via violentwavesofemotion)

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gulcayn:

miu miu fw16

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silk-fleur:

November Mood: “The Beguiled” and “Little Women”, strong raspberry and rose tea, indulging in little luxuries, soft glamorous makeup, panna cottas, baby pink candles, feeling very confident, expensive lingerie and perfume.

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violentwavesofemotion:

Bella Akhmadulina, tr. by Stephen Stepanchev, from “Oh To Be A Bride,

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solemnlyancient:

authors in dark academia

oscar wilde - fast beating hearts, red wine left out overnight, victorian shirts, a crisp autumn breeze, holding hands with someone you shouldn’t, a painter staring at a blank canvas, brown coats, meticulously done hair, being misunderstood, sitting alone in a hard wood chair late at night, dead roses, gold rings

mary shelley - billowing curtains, thunderstorms that you feel in your chest, waking up from a nightmare, hands cold to the bone, earl grey tea, old anatomy books, losing a loved one too soon, purple bruises, a red velvet dress, a calcified heart, half written love letters, fountain pens, moss covered gravestones

fyodor dostoevsky - leather bound books, dust covered homes, pawn shops, chest pains, the sharp cold of winter, rotting apples, dark circles under the eyes from not sleeping for days, thrifted classics, an empty hallway, a spoonful of sugar, rushed handwriting, stale vodka, an old hat, pebbles from a driveway

bram stoker - dried blood on a white shirt, staring at the mirror until your features start to disappear, an old record playing on repeat, gothic churches, pining over poets, a scraped knee, pomegranate seeds, tobacco incense, a forgotten supper, hands stripped from over-washing, a tattered portrait of an unknown man

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bookstofilms:

“Why do you lie to me, darling? You know that I’ll stick with you to the end.” I picked up a cigarette. He hurried to light it. “Don’t do that,” I said. “Why not?” “You can’t call me a murderer and light my cigarette.”

Laura by Vera Caspary
adapted into the 1944 film of the same name, dir. Otto Preminger

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livesunique:

A view of the Great Staircase at Hampton Court Palace, 

by Richard Cattermole, 1817,

The aquatint engraving of this picture was published as plate 36 of W.H. Pyne (1819) The History of the Royal Residences.

The Royal Collection Trust

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